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Debate erupts over groom's unconventional footwear choice

<p>In what seems to be a picture perfect wedding, eagle-eyed social media users spotted one odd detail. </p> <p>The couple were snapped standing at the altar, and while everything else about their outfit seemed flawless, one Reddit user called the groom out for wearing black Crocs and black socks to his wedding. </p> <p>“Imagine you get ready for three hours and your groom shows up in Crocs,” the user said. </p> <p>“Crocs would be a legit reason to say no at the altar,” another wrote, before adding: <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">“Crocs are a valid reason to not date someone. They are horrible.”</span></p> <p>“He’s wearing a suit, maybe he has a problem with his feet that he can’t wear proper footwear,” a third commented</p> <p>“Surely no one, no matter how casual in style, voluntarily leaves the house in Crocs?”</p> <p>However many other social media users were quick to defend the wedding faux pas, with some saying that they wish they had done the same thing at their own weeding. </p> <p>“He probably has an injured foot or broken toe. He’s perfectly groomed (a pun) otherwise and obviously tried to camouflage his socks and crocs with his attire," one sympathised. </p> <p>“Ya I have really severe diabetic neuropathy in my feet, especially my toes. Doctor actually suggested Crocs as they have extra space and don’t restrict movement," another added.</p> <p>“I wore flip flops under my dress. I hate heels with a passion,” a third wrote. </p> <p>"He's wearing a nice suit, matching dark socks so I'm not seeing an issue here as he probably has some kind of foot or back injury or pain. If I were marrying him this wouldn't bother me," added a fourth. </p> <p>“Let the man get married in something comfortable. My wife could have shown up in a potato sack barefoot for all I cared, she is there to marry me, not for a fashion show," a fifth defended. </p> <p><em>Image: Reddit</em></p> <p> </p>

Relationships

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Robert Irwin stuns in runway debut

<p>Robert Irwin has stunned fans with his runway debut at the  PayPal Melbourne Fashion Festival on Wednesday night. </p> <p>The beloved conservationist traded in his signature khakis for a more refined look, dressed in various outfits from Australian designers.</p> <p>Robert appeared as one of the models on the Suit Up Runway, alongside his<em> I’m A Celebrity</em> co-host Julia Morris.</p> <p>The runway, supported by Network 10, showcased “dressing at its finest”, and the young conservationist looked dapper when he stepped out in a black tuxedo paired with an oversized tweed bomber jacket.</p> <p>The 20-year-old looked even more dashing in a striking white tuxedo with a black blazer and waistcoat, and he completed the look with a trendy pair of sunglasses. </p> <p>His final look was blue velvet suit paired with white sneakers and a matching turtleneck. </p> <p>Fans were quick to share their reactions to Robert's latest role, with many complimenting him and labelling his runway appearance as "iconic". </p> <p>“Robert is so handsome!!!!” one wrote on Instagram.</p> <p>“He slayed the runway," another added. </p> <p>“Obsessed,” wrote a third. </p> <p>Robert was not the first to stun the audience with his runway appearance, as Elle Macpherson also <a href="https://www.oversixty.com.au/lifestyle/beauty-style/elle-macpherson-s-stunning-runway-return" target="_blank" rel="noopener">returned to the runway</a> for the first time in 14 years and kickstarting the PayPal Melbourne festival on Monday.</p> <p><em>Images: Getty</em></p>

Beauty & Style

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Elle Macpherson's stunning runway return

<p>It's been 14 years since Elle Macpherson last walked the runway and the Aussie supermodel is finally back! </p> <p>On Monday, the 59-year-old walked the run for the first time in forever and she did not miss a step. </p> <p>The supermodel strutted down the PayPal Runway to kickstart the 2024 Melbourne Fashion Festival at the Royal Exhibition Building.</p> <p>She looked chic in her first look which was a plunging layered plissé black dress and an oversized blazer by beloved Aussie brand Aje. </p> <p>She then rocked a pop of colour in a canary yellow oversized coat and matching trousers from Bianca Spender. In her final look she donned a fluffy sweater and scarf from Viktoria & Woods completed with a brown coat with a dramatic train.</p> <p>Ahead of her runway return, Macpherson said: “I’m honoured to support PayPal in promoting Australian fashion globally.</p> <p>"PayPal’s platform gives creative talents and small businesses the opportunity to grow internationally by building customer trust," she added. </p> <p>“From personal experience, I know the challenges of taking a business global, and how valuable trusted partners are in that process.”</p> <p>In an interview with the <em>Herald Sun</em>, she told the publication that she was grateful for her Australian heritage and for Australian brands being given an opportunity to shine. </p> <p>PayPal supports over 150,000 Australian fashion businesses and has a total of 380 million shoppers worldwide.</p> <p>Shane Capron, the senior director of consumer engagement at PayPal praised Macpherson's work. </p> <p>“Elle was fabulous – so excited that we were able to bring her back to the catwalk for the PayPal Runway on the eve of her 60th birthday. What an Australian icon. Such an inspiration,” Capron said. </p> <p>“This year the PayPal runway is all about celebrating the success of Australian fashion brands that have achieved success on the global stage – just like Elle.</p> <p>"Not only is Elle an Australian who became a world-famous supermodel, she is also an incredible businesswoman who has launched globally successful brands.”</p> <p>Her partnership with PayPal will also support UNICEF in a multinational fundraising campaign later this year.</p> <p><em>Images: Getty</em></p>

Beauty & Style

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Millions of Aussies to get cash boost in weeks

<p>Millions of Australians are set to receive more money when payments are indexed. </p> <p>On March 20, those on the age pension, disability support pension and carer payment will be pocketing extra money. </p> <p>Single people on the pension and carer payment can expect an extra $19.60, with maximum amount increasing to $1116.30. For couples, the rate will go up $29.40 per fortnight, with the maximum being $1682.80.</p> <p>People on rent assistance, JobSeeker, single parenting payments and ABSTUDY will also benefit from payment increases, with single parenting payment going up by $17.50 a fortnight.</p> <p>Single JobSeeker recipients with no kids, and people over 22 on ABSTUDY, will get an extra $13.50 per fortnight, while each member of a couple will get an additional $12.30 per fortnight.</p> <p>The government has also changed the eligibility criteria for parents seeking welfare payments, with the last budget revealing that 77,000 parents will receive benefits for the youngest child up to the age of 14 instead of eight. </p> <p>The income and assets limits will also be increased in line with indexation in March.</p> <p>Social Services Minister Amanda Rishworth said that these changes will be implemented to ensure that Centrelink recipients would be able to have more money in their accounts, with the rise in cost-of-living. </p> <p>“Our number one priority is addressing inflation and cost of living pressures,” Rishworth said.</p> <p><em>Image: Getty</em></p> <p> </p>

Money & Banking

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"What a life lived!": Fashion icon dies age 102

<p>New York designer and style icon Iris Apfel has passed away aged 102. </p> <p>Her death was confirmed by her commercial agent, Lori Sale, who called Apfel "extraordinary", although no cause of death was given. </p> <p>Apfel, who was born on August 29, 1921, was known for her eccentric outfits, oversized black-rimmed glasses, bright red lipstick and short white hair. </p> <p>Her death was also announced on the fashion icon's official Instagram page, on Friday US time, just one day after she celebrated her 102nd-and-a-half birthday. </p> <p>"Working alongside her was the honour of a lifetime. I will miss her daily calls, always greeted with the familiar question: 'What have you got for me today?'" Sale said in a statement.</p> <p>"She was a visionary in every sense of the word. She saw the world through a unique lens — one adorned with giant, distinctive spectacles that sat atop her nose."</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/C3_geMFu15Y/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/C3_geMFu15Y/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Iris Apfel (@iris.apfel)</a></p> </div> </blockquote> <p> </p> <p>Apfel was an expert on textiles and antique fabrics. She and her husband Carl owned textile manufacturing company, Old World Weavers, which specialised in restoration work, including projects at the White House under six different US presidents.</p> <p>Apfel first rose to fame in 2005 when the curator of the Metropolitan Museum of Art’s Costume Institute hosted a show about her called "Rara Avis". Latin for "rare bird".  </p> <p>They showcased the personal collection of vintage and designer accessories which were style on mannequins dressed in clothes Apfel would wear, and the exhibit became an instant success.</p> <p>Following the exhibit Apfel was awarded several opportunities including featuring in a 2007 coffee table book, a 2012 MAC Cosmetics campaign, and a 2014 documentary about her life, which was nominated for an Emmy award three years later. </p> <p>Apfel was also gained popularity among the younger generation, with over 3 million followers on Instagram, and over 250,000 on TikTok. </p> <p>"More is more & Less is a Bore," the bio read across her social media platforms. </p> <p>Despite her age, Apfel never retired, and told <em>Today</em>: "I think retiring at any age is a fate worse than death. Just because a number comes up doesn't mean you have to stop."</p> <p>Tributes have poured in from fans across the world. </p> <p>"What a life lived! What an example set! What footsteps you have left behind! Rest peacefully, icon!" one wrote. </p> <p>"She inspired so many women to be bold, and brave and truly authentic….to ignore the number of years we have lived and view age as an opportunity to shine. What a beautiful legacy," another added. </p> <p>"What a blessing to live that long and look that fabulous doing it," wrote a third. </p> <p>The style icon was married to Carl Apfel for 67 years until his death in 2015. They had no children. </p> <p><em>Images: Instagram</em></p> <p> </p>

Caring

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Young musician dies weeks after writing final song

<p>Cat Janice has died aged 31 with her family by her side.</p> <p>The young musician, who had a large following on TikTok, had been battling cancer since January 2022 when doctors diagnosed her with sarcoma, a rare malignant tumour. </p> <p>She was declared cancer-free on July 22 that same year, following extensive surgery, chemo and radiation therapy. </p> <p>The mum-of-one was sadly re-diagnosed with cancer in June last year and despite fighting hard in the second round of her treatments, Janice told fans in January that her cancer "won" and that she "fought hard but sarcomas are too tough".</p> <p>Janice's family have announced her passing in a statement shared to her Instagram. </p> <p>"From her childhood home and surrounded by her loving family, Catherine peacefully entered the light and love of her heavenly creator," they said. </p> <p>"We are eternally thankful for the outpouring of love that Catherine and our family have received over the past few months."</p> <p>Before she died, Janice publicly announced that all her music would be signed over to her 7-year-old son, Loren, to support him in the future. </p> <p>Just weeks before her death, she released her final song <em>Dance You Outta My Head </em> in the hope it would spread "joy and fun". </p> <p>"My last joy would be if you pre saved my song 'Dance You Outta My Head' and streamed it because all proceeds go straight to my 7-year-old boy I'm leaving behind," she said, before the song was released. </p> <p>The song went viral, and took he number one spot in several countries and the number five spot on the Apple Itunes globally.</p> <p>Her family have said that the love she received for her final song, was unbelievable parting gift she could have ever received.</p> <p>"Cat saw her music go places she never expected and rests in the peace of knowing that she will continue to provide for her son through her music. This would not have been possible without all of you."</p> <p><em>Images: Instagram</em></p>

Caring

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From this week, you’ll be able to look up individual companies’ gender pay gaps

<p><em><a href="https://theconversation.com/profiles/natasha-bradshaw-1358801">Natasha Bradshaw</a>, <a href="https://theconversation.com/institutions/grattan-institute-1168">Grattan Institute</a></em></p> <p>There will be nervous executives all over Australia this week.</p> <p>Come Tuesday, large private sector organisations will have their company’s gender pay gaps published for the first time for all to see, name, and shame.</p> <p>As they brace for the fallout, let’s look at how what we will be told is changing, and what it will mean for you.</p> <h2>What is changing?</h2> <p>Every year, the Workplace Gender Equality Agency (<a href="https://www.wgea.gov.au/">WGEA</a>) collects information from every employer with more than 100 employees. Until now it has published only a summary of the findings on its website, including Australia’s overall gender pay gap, and the gap by industry and employment arrangement.</p> <p>But for the first time legislation enacted last year also allows WGEA to publish the gender pay gaps of individual employers.</p> <figure class="align-right zoomable"><figcaption></figcaption></figure> <p>Tuesday’s release will include each large company’s median gender pay gap, and the share of women it employs in lower- and higher-paid jobs.</p> <p>Employers will have the chance to publish a <a href="https://www.wgea.gov.au/data-statistics/data-explorer">statement</a> alongside their results to provide context.</p> <p>That means from Tuesday you will be able to look on the <a href="https://www.wgea.gov.au/">WGEA website</a> and find the median gender pay gap of your large private sector organisation, or of an organisation you are thinking of joining, and how it stacks up against its competitors.</p> <h2>Why the change?</h2> <p>Australian women, like women elsewhere, have made astounding progress in the workforce in recent decades.</p> <p>Women are both working and earning more than ever before. But progress has stalled, and the gender pay gap remains stubbornly persistent.</p> <p>The Albanese government has shown its commitment to gender equity by increasing the <a href="https://www.servicesaustralia.gov.au/child-care-subsidy">childcare subsidy</a> and extending <a href="https://www.servicesaustralia.gov.au/parental-leave-pay">paid parental leave</a>.</p> <p>But beyond this, the options for governments are limited. Most of the barriers to women getting better-paid jobs can only be broken by employers.</p> <p>The public naming and shaming that will begin on Tuesday will push accountability onto employers, holding them responsible for the conditions in their workplaces.</p> <p>Workers and bosses are going to take notice: when employer gender pay gaps were released in the UK in 2018 it was the <a href="https://www.genderpay.co.uk/wp-downloads/moving-forward-may-2018/presentations/Gender_Pay_Gap_Moving_Forward_May_2018_Studio_2_5_Nick_Bishop.pdf">biggest business news story of the year</a>, with coverage rivalling the wedding of Prince Harry and Meghan Markle.</p> <p>At a time when companies are fighting for top talent, it is going to make it more difficult for employers with large pay gaps to hire talented women.</p> <p>Research shows that on average women are willing to accept a <a href="https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3584259">5% lower salary</a> in order to avoid working for the employers with the biggest gender pay gaps.</p> <figure><iframe src="https://www.youtube.com/embed/vAr1Lhaw0Ao?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">Workplace Gender Equality Agency.</span></figcaption></figure> <h2>Let’s not rush to judge</h2> <p>While <a href="https://www.wgea.gov.au/about/our-legislation/publishing-employer-gender-pay-gaps">naming and shaming</a> will help make this policy effective, we should be careful about rushing to judgement.</p> <p>It is possible for an employer to be making serious efforts to improve while its gap remains large.</p> <p>And some actions aimed at improving things, such as implementing a gender quota on entry-level positions, can worsen a company’s apparent gender pay gap in the short term by temporarily increasing the number of lowly-paid women.</p> <p>Also, there will be firms that have a low gender pay gap because they pay both men and women poorly.</p> <p>On Tuesday, we should instead look closely at whether the organisation has outlined clear steps it will take to improve, and how it compares to its competitors. In future years, we will be able to see how things have changed.</p> <h2>What will matter is what employers do next</h2> <p>Since the UK reforms were introduced in 2018, the gender pay gap has narrowed by <a href="https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3584259">one-fifth</a>, with the biggest improvements coming from the worst offenders.</p> <p>UK companies have also become more likely to include wage information in their job ads, equalising the starting point of wage negotiations for all applicants.</p> <p>But for existing employees, the narrowing of the gap has been caused more by slower growth in men’s wages than faster growth in women’s wages, which isn’t good news for anyone looking for a pay rise.</p> <p>The full effects of the Australian reforms won’t be seen for some time.</p> <p>It is likely that making high-paid jobs more accessible to women will allow employers to tap into a new talent pool and encourage more highly credentialed women into the workforce, adding to productivity growth.</p> <p>What is clear now is that if we want to narrow the gender pay gap, we need to know what’s happening. The avalanche of data due on Tuesday will be a start.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/224167/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/natasha-bradshaw-1358801"><em>Natasha Bradshaw</em></a><em>, Senior Associate, <a href="https://theconversation.com/institutions/grattan-institute-1168">Grattan Institute</a></em></p> <p><em>Image credits: Getty Images </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/from-this-week-youll-be-able-to-look-up-individual-companies-gender-pay-gaps-224167">original article</a>.</em></p>

Money & Banking

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Influencer's tragic update following son's death at six weeks old

<p>Aussie Influencer Veruca Salt has shared an emotional tribute to her son who <a href="https://www.oversixty.com.au/health/caring/influencer-announces-tragic-death-of-six-week-old-son" target="_blank" rel="noopener">died in his sleep</a> at just six-weeks-old. </p> <p>The 25-year-old, real name Kimberley Summer Hartley, shared a video of the funeral service for her son Cash, with Taylor Swift’s rock ballad <em>Long Live </em>playing in the background.</p> <p>At one moment, Hartley can be seen being consoled by her friends, as black and white balloons were released into the air. </p> <p>The board at the service showed a picture of Cash with the words "A celebration of life", followed by the baby boy's full name, the date he was born and passed away, and “forever dancing with the fruits”. </p> <p>The video ends with a black and white video of Cash being comforted by his mum and smiling as she stroked his cheek. </p> <p> </p> <div class="embed" style="box-sizing: inherit; margin: 0px; padding: 0px; border: 0px; font-size: 16px; vertical-align: baseline; outline: none !important;"><iframe class="embedly-embed" style="box-sizing: inherit; margin: 0px; padding: 0px; border: 0px; font-size: 16px; vertical-align: baseline; outline: none !important; width: 573px; max-width: 100%;" title="tiktok embed" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.tiktok.com%2Fembed%2Fv2%2F7337251408909028609&display_name=tiktok&url=https%3A%2F%2Fwww.tiktok.com%2F%40verucasalt444%2Fvideo%2F7337251408909028609&image=https%3A%2F%2Fp16-sign-sg.tiktokcdn.com%2Fobj%2Ftos-alisg-p-0037%2F3377edfbc6c44ee3a82e4a4c625f5884_1708336979%3Fx-expires%3D1708552800%26x-signature%3DffE%252BCUSJ9VgzUsT3qdjowDvQ2d8%253D&key=59e3ae3acaa649a5a98672932445e203&type=text%2Fhtml&schema=tiktok" width="340" height="700" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></div> <p>Fans took to the comments to share their condolences for the grieving mum. </p> <p>“Oh Veruca, if I could take even minutes off my life to give you more time with him I would in a heartbeat,”  one wrote. </p> <p>“Rest in paradise with the dancing fruits, beautiful boy,” said another.</p> <p>"Rest In Paradise Baby Cash. Please visit your Mommy in her dreams and keep her safe always. Sending love Veruca," commented a third. </p> <p>"I’m so sorry! What a beautiful send off for a gorgeous boy," added a fourth.</p> <p><em>Images: TikTok</em></p> <p> </p>

Caring

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Influencer announces tragic death of six-week-old son

<p>TikTok influencer Veruca Salt, real name Kimberley Summer Hartley, took to Instagram to announce the tragic death of her six-week-old son, Cash. </p> <p>The Gold Coast - based influencer, 25, shared the tragic news just one day after she posted a TikTok of her taking her newborn bub out for his first hospital visit, as he hadn't pooped in seven days. </p> <p>On Monday morning she revealed that her son “died in his sleep”. </p> <p>“It is with a heavy heart that I’m writing this,” she wrote.</p> <p>“My baby died in his sleep on Monday morning. I don’t know what happened, he is having an autopsy this week but it is unlikely that I’ll ever have an answer.</p> <p>“I’m just saying this because people are still commenting on my TikToks saying how happy I look with him and ‘just wait for the toddler stage’ and stuff and I (really) can’t take it anymore. I’m really sorry.”</p> <p>In her most recent <a href="https://www.tiktok.com/@verucasalt444/video/7332609198599032065?is_from_webapp=1&sender_device=pc&web_id=7142332295764346370" target="_blank" rel="noopener">TikTok</a>, she shared a clip of her grieving her son's death with the caption: "I knew he was dead but there was a part of me that really thought they were gonna wake him up." </p> <p>Fans have shared their condolences. </p> <p>"We are all standing by you Veruca. Take all the time you need ❤️" one wrote on TikTok. </p> <p>"I’ve never cried harder for a woman i don’t know, I'm so sorry Veruca the love you have for him never goes unnoticed," another commented. </p> <p>"Sending love this is the worst thing in the world to happen to anyone," a third added. </p> <p>"I'm so so sorry no mother should have to go through this💔" a fourth wrote. </p> <p>Queensland Police have confirmed the death, after they were called to a Southport unit at around 6.13am on February 5.</p> <p>The death is not being treated as suspicious.</p> <p>Police are currently awaiting autopsy results, Superintendent Craig Hanlon told the <em>Gold Coast Bulletin</em>. </p> <p>“It’s obviously a tragic situation and our hearts go out to the mother and the family.”</p> <p><em>Images: Instagram/ TikTok</em></p>

Caring

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Retailer pulls "creepy" and "disturbing" ad for school uniforms

<p>H&M has removed a school uniform ad in Australia after social media users slammed the retailer for sexualising children. </p> <p>The ad, which a few social media users have screenshot before it was removed,  features  two young girls in school uniform looking back at the camera with the caption: "Make those heads turn in H&M's Back to School fashion." </p> <p>Users on X, formerly known as Twitter, slammed the ad calling it it "creepy" and "disturbing", and sharing their own stories about "being ogled" at school. </p> <p>"What is your intention with this sponsored Facebook ad?" Australian writer Melinda Tankard Reist, whose work addresses sexualization and the harms of pornography, shared on X. </p> <p>"Little schoolgirls generally don't want to 'turn heads.' The large numbers I engage with in schools want to be left alone to learn and have fun and not draw unwanted attention to their appearance."</p> <p>"The little girls parents generally prefer heads don't 'turn' when others see their daughters walking to school, on a bus or in class," she continued. </p> <p>"Why would you want to fuel the idea that little girls should draw attention to their looks, bodies and 'style'?"</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en"><a href="https://twitter.com/hm?ref_src=twsrc%5Etfw">@hm</a> <a href="https://twitter.com/hmaustralia?ref_src=twsrc%5Etfw">@hmaustralia</a> what is your intention with this sponsored Facebook ad? Little schoolgirls generally don’t want to “turn heads”. The large numbers I engage with in schools want to be left alone to learn and have fun and not draw unwanted attention to their appearance 1/ <a href="https://t.co/DDwv42GeNz">pic.twitter.com/DDwv42GeNz</a></p> <p>— Melinda TankardReist (@MelTankardReist) <a href="https://twitter.com/MelTankardReist/status/1747866459836158415?ref_src=twsrc%5Etfw">January 18, 2024</a></p></blockquote> <p>Another user wrote: "This is really disturbing.</p> <p>"I remember being cat called whilst waiting for the bus in my school uniform. It made me feel unsafe." </p> <p>"Girls go to school to get an education, not to be jeered at by onlookers," they concluded. </p> <p>The Swedish fashion giant has since removed the ad and apologised for the campaign. </p> <p>"We have removed this ad," they told CNN. </p> <p>"We are deeply sorry for the offence this has caused and we are looking into how we present campaigns going forward."</p> <p><em>Images: Getty</em></p>

Legal

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Gina Rinehart snaps up another iconic Aussie brand

<p>Not long after being crowned<em> The Australian Financial Review’s (AFR)</em> Business Person of the Year, Gina Rinehart has made another big move in the fashion industry. </p> <p>The mining magnate has purchased heritage shoe brand Rossi Boots, which has been operating since 1910, as part of her  “commitment to preserving iconic national brands”. </p> <p>“(This) ensures that Rossi’s manufacturing excellence remains in Australian hands and will see it expand into new markets,” Rinehart’s company S. Kidman and Co said. </p> <p>Rossi Boots was founded by Arthur Rossiter, and sell high-quality leather boots for both men and women.</p> <p>They even supplied hundreds of boots to Australian soldiers during World War I and World War II, which Rinehart said is a “recognition of our national history”.</p> <p>“Rossi Boots is more than just a brand, it represents a cherished part of rural Australia’s way of life,” she said.</p> <p>“We are committed to nurturing its legacy by maintaining operations in Australia and are excited about the possibilities that lie ahead for Rossi Boots under the umbrella of S. Kidman and Co.”</p> <p>The acquisition of Rossi's boots follows Rinehart's recent purchase of another heritage fashion brand, Driza-Bone, known for their oil-skin jackets, which has been a staple in Aussie wardrobes for 125 years.  </p> <p>“We want to keep and preserve its magnificent past but we also want to rejuvenate it,” she said. </p> <p><em>Images: Getty</em></p>

Money & Banking

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Happy birthday AUD: how our Australian dollar was floated, 40 years ago this week

<p><em><a href="https://theconversation.com/profiles/selwyn-cornish-1297285">Selwyn Cornish</a>, <a href="https://theconversation.com/institutions/australian-national-university-877">Australian National University</a> and <a href="https://theconversation.com/profiles/john-hawkins-746285">John Hawkins</a>, <a href="https://theconversation.com/institutions/university-of-canberra-865"><em>University of Canberra</em></a></em></p> <p>These days, we take for granted that the value of the Australian dollar fluctuates against other currencies, changing thousands of times a day and at times jumping or falling quite a lot in the space of a week.</p> <p>But for most of Australia’s history, the value of the Australian dollar – and the earlier Australian pound – was “<a href="https://www.rba.gov.au/education/resources/explainers/exchange-rates-and-their-measurement.html#:%7E:text=exchange%20rate%20volatility.-,Pegged,or%20a%20basket%20of%20currencies.">pegged</a>” to either gold, pound sterling, the US dollar or to a value of a basket of currencies.</p> <p>The momentous decision to <a href="https://www.afr.com/policy/economy/the-long-road-that-led-to-the-floating-of-the-australian-dollar-20141121-11ra30">float</a> the dollar was taken on Friday December 9 1983 by the Hawke Labor Government, which was elected nine months earlier.</p> <p>As they approached the cabinet room at what is now Old Parliament House, Treasurer Paul Keating asked Reserve Bank Governor Bob Johnston to write him a letter to say the bank recommended floating.</p> <p>The letter, dated December 9, referred to the bank’s concern about the "volume of foreign exchange purchases and its belief that if these flows are to be brought under control we shall need to face up without delay either to less Reserve Bank participation in the exchange market or capital controls."</p> <p>By “less Reserve Bank participation”, Johnston meant a managed float; direct controls were to be considered “as a last resort”.</p> <p>The bank had long maintained a “<a href="https://www.afr.com/policy/economy/the-long-road-that-led-to-the-floating-of-the-australian-dollar-20141121-11ra30">war book</a>”, bearing the intriguing label “Secret Matter”, outlining the procedures to be followed in the event of a decision to float.</p> <p>An updated version was handed to the treasurer the day before the decision.</p> <p>The <a href="https://www.brookings.edu/articles/floating-exchange-rates-after-ten-years/">US</a> and the <a href="http://news.bbc.co.uk/onthisday/hi/dates/stories/june/23/newsid_2518000/2518927.stm">UK</a> floated their currencies in the early 1970s. Since the early 1980s the value of the dollar had been set via a “<a href="https://www.rba.gov.au/publications/bulletin/2018/dec/understanding-exchange-rates-and-why-they-are-important.html">crawling peg</a>” – meaning its value was pegged to other currencies each week, and later each day, by a committee of officials who announced the values at <a href="https://www.smh.com.au/entertainment/inside-the-floating-of-the-a-20131211-2z698.html">9.30 each morning</a>.</p> <p>If too much or too little money came into the country as a result of the rate the authorities had set, they adjusted it the next day, sometimes losing money to speculators who had bet they wouldn’t be able to hold the rate they had set.</p> <p>Keating had Johnston accompany him to the December 9 press conference instead of Treasury Secretary John Stone, who had argued against the float in the cabinet room, putting the case for direct controls on capital inflows instead.</p> <p>Johnston’s presence was meant to make clear that at least the central bank supported floating the dollar.</p> <h2>Speculators now speculate against themselves</h2> <p>Keating told the press conference the float meant the speculators would be “<a href="https://www.smh.com.au/business/banking-and-finance/from-the-archives-1983-the-australian-dollar-floats-free-20191206-p53hjq.html">speculating against themselves</a>”, rather than against the authorities.</p> <p>One banker quoted that night confessed to being “<a href="https://www.smh.com.au/business/banking-and-finance/from-the-archives-1983-the-australian-dollar-floats-free-20191206-p53hjq.html">absolutely staggered</a>”. “I’m not sure they know what they have done,” the banker said.</p> <p>The following Monday on ABC’s AM program, presenter <a href="https://www.abc.net.au/news/2003-12-08/20-years-since-dollar-floated/102568">Red Harrison</a> heralded “a brave new world for the Australian dollar”. He said, "from today the dollar must take its chance, subject to the supply and demand of the international marketplace, and there are suggestions that foreign exchange dealers expect a nervous start to trading when the first quotes are posted this morning."</p> <p>At the time, the Australian dollar was worth 90 US cents. At first it <a href="https://www.rba.gov.au/speeches/2013/sp-gov-211113.html">rose</a>, before settling back.</p> <p>Since then, the Australian dollar has fluctuated from a low of <a href="https://www.nma.gov.au/defining-moments/resources/australian-dollar-floated">47.75</a> US cents in April 2001 to a high of US$1.10 in July 2011.</p> <hr /> <p><iframe id="6ExL8" class="tc-infographic-datawrapper" style="border: none;" src="https://datawrapper.dwcdn.net/6ExL8/3/" width="100%" height="400px" frameborder="0"></iframe></p> <hr /> <h2>The long road to the float</h2> <p>The idea first took hold in Australia when Commonwealth Bank Governor <a href="https://www.rba.gov.au/publications/bulletin/2022/dec/hc-coombs-governor-of-australias-central-bank-1949-1968.html">“Nugget” Coombs</a> visited Canada in 1953, at a time when it was one of the few countries with a floating exchange rate.</p> <p>On his return, Coombs wrote the bank should consider Canada’s experience.</p> <p>A strong advocate from the mid-1960s was the bank’s economist <a href="https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1475-4932.1986.tb00915.x">Austin Holmes</a>. Among those he mentored at what by then was called the Reserve Bank were Bob Johnston, Don Sanders and John Phillips.</p> <p>All three were in the cabinet room when the decision was taken.</p> <h2>Backed by Cairns, opposed by Abbott</h2> <p>An unlikely advocate in the 1970s was the left-wing Labor treasurer <a href="https://treasury.gov.au/sites/default/files/2019-03/05Hawkins.pdf">Jim Cairns</a>.</p> <p>But asked in 1979 whether he was in favour of a float, the then Reserve Bank governor <a href="https://www.rba.gov.au/about-rba/history/governors/sir-harold-murray-knight.html">Harry Knight</a> responded by quoting Saint Augustine, saying “God make me pure, but not yet”. An oil shock was making markets turbulent at the time.</p> <p>In 1981, the Campbell inquiry into the Australian financial system delivered a landmark report to Treasurer John Howard, <a href="https://treasury.gov.au/publication/p1981-afs">recommending</a> a float. The idea was backed by neither the Treasury nor Prime Minister Malcolm Fraser.</p> <p>Two years later, Howard watched from opposition as Labor did what he could not.</p> <p>The Liberal Party generally backed Labor’s move, with one notable exception – the later prime minister, <a href="https://www.smh.com.au/national/tony-abbott-wrote-20-years-ago-floating-dollar-didnt-make-sense-20131206-2ywpm.html">Tony Abbott</a>, who in 1994 wrote that "changing the price of the dollar moment by moment in response to each transaction makes no more sense than altering the price of cornflakes every time a buyer takes a packet off the supermarket shelves."</p> <h2>A success by any measure</h2> <p>The floating exchange rate has served Australia well.</p> <p>When the Australian economy has slowed or contracted – in the early 1990s, the Asian financial crisis, the global financial crisis and in the COVID recession – the Australian dollar has fallen, making Australian exports cheaper in foreign markets.</p> <p>When mining booms have sucked money into the country, the Australian dollar has climbed, spreading the benefit and fighting inflation by increasing the buying power of Australian dollars.</p> <p>It’s why these days, hardly anyone wants to return to a <a href="https://www.rba.gov.au/education/resources/explainers/exchange-rates-and-their-measurement.html">pegged</a> rate.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/217548/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/selwyn-cornish-1297285">Selwyn Cornish</a>, Honorary Associate Professor, Research School of Economics, <a href="https://theconversation.com/institutions/australian-national-university-877">Australian National University</a> and <a href="https://theconversation.com/profiles/john-hawkins-746285">John Hawkins</a>, Senior Lecturer, Canberra School of Politics, Economics and Society, <a href="https://theconversation.com/institutions/university-of-canberra-865">University of Canberra</a></em></p> <p><em>Image </em><em>credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/happy-birthday-aud-how-our-australian-dollar-was-floated-40-years-ago-this-week-217548">original article</a>.</em></p>

Money & Banking

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Police Commissioner's son killed during schoolies week

<p>The son of South Australia's police commissioner has tragically died after an alleged hit and run. </p> <p>Charlie Stevens, 18, was celebrating the end of high school when he was run down on Friday evening in Goolwa, about 90km southeast of Adelaide. </p> <p>Charlie sustained irreversible brain damage from the incident, and died 24 hours later in hospital surrounded by his family. </p> <p>Police said the 18-year-old driver, Dhirren Randhawa, failed to stop at the scene but was found nearby.</p> <p>Randhawa has been charged with causing death by dangerous driving, aggravated driving without due care, leaving the scene of a crash after causing death and failing to truly answer questions.</p> <p>In a statement, Commissioner Grant Stevens and his wife Emma thanked police, first responders and other emergency services workers who attended the incident.</p> <p>“The Stevens family also wish to thank the wider community for their support during this difficult time in particular the family acknowledge the dedicated staff at the Flinders Medical Centre for their care and support of Charlie and his family and friends,” they said.</p> <p>Tributes have poured in for the teenager, as his older brother Tom called Charlie his "best mate, biggest rival and number one fan".</p> <p>"It breaks my heart (that) my days of being a big brother have come to an end," he said.</p> <p>SA Police Deputy Commissioner Linda Williams became emotional when sharing speaking about the incident, as she told reporters Charlie was an apprentice carpenter who had recently finished school and as excited about the next stage of his life.</p> <p>“[Commissioner Stevens] is with his family who are waiting for other family members from interstate to arrive,” the deputy commissioner said.</p> <p>“As you can imagine, this is a very difficult statement for me to make."</p> <p>“We always talk about this happening to other people but the reality is it can happen to anyone.”</p> <p><em>Image credits: SA Police</em></p>

Caring

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What to wear for a climate crisis

<p><em><a href="https://theconversation.com/profiles/rachael-wallis-568028">Rachael Wallis</a>, <a href="https://theconversation.com/institutions/university-of-southern-queensland-1069">University of Southern Queensland</a></em></p> <p>When people move to the country from the city, they need to change their wardrobes, my <a href="https://rgs-ibg.onlinelibrary.wiley.com/doi/abs/10.1111/area.12540">research on tree-changers</a> in Australia found. The new context of their lives means the clothes they wore for the city no longer work for their new lives. This is also true in the climate crisis.</p> <p>Our context has changed. When we decide what clothes to buy, we now need to bring into play a wider range of values than the appearance of a garment, its newness and novelty and whether we like it or not. As the Intergovernmental Panel on Climate Change (IPCC) <a href="https://www.ipcc.ch/assessment-report/ar6/">states</a>, if we are to have any hope of avoiding a world that is too hot and unpredictable to live in, we need to do everything we possibly can, right now, to cut greenhouse gas emissions into the atmosphere.</p> <p>The fashion industry contributes <a href="https://www.frontiersin.org/articles/10.3389/fenvs.2022.973102/full">up to 10% of global emissions</a> – more than international aviation and shipping combined. It also contributes to biodiversity loss, pollution, landfill issues, unsafe work practices and more.</p> <p>Australia’s carbon footprint from the consumption and use of fashion is the <a href="https://hotorcool.org/unfit-unfair-unfashionable/">world’s biggest</a>, a dubious distinction in a materialistic world.</p> <p>So this is an area where the choices we make can have big impacts. While individual action will not solve all of the above problems, it will help as we move towards the structural and systemic change needed to live sustainably.</p> <p>If we are concerned about these issues, responding thoughtfully means we will live our lives according to our values. And that’s an <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6326475/">important factor</a> in living well, flourishing and being happy.</p> <p><iframe id="datawrapper-chart-teOOs" style="border: none;" title="Carbon footprints from fashion consumption in G20 nations" src="https://datawrapper.dwcdn.net/teOOs/2/" width="100%" height="589" frameborder="0" scrolling="no" aria-label="Stacked Bars" data-external="1"></iframe></p> <h2>Lessons from wartime</h2> <p>It’s not the first time people have adapted their clothing in response to the demands of a crisis.</p> <p>During the second world war, <a href="https://www.iwm.org.uk/history/how-clothes-rationing-affected-fashion-in-the-second-world-war">clothing styles changed</a> in the United Kingdom and Australia. To conserve precious resources, shorter skirts, minimal detailing and a focus on utility became the norm.</p> <p>People adapted their personal aesthetics and appearance because the situation was grave and they wanted to “do their bit” to help with the war effort. This was a collective necessity in dire times.</p> <p>This wartime response reflected the priorities and values of society as a whole as well as most people in that society. In other words, buying less (rationing meant this was not just a choice), mending and making do with what was already there was part of a value system that contributed to the Allied victory.</p> <p>In novels and other writing from the era, it is clear that at times it was not easy and it could be frustrating. There was, however, a public consensus that it was necessary. This shared commitment to the war effort became a value that made personal sacrifices worthwhile and satisfying.</p> <h2>So what can we do today?</h2> <p>In our current context, the <a href="https://hotorcool.org/unfit-unfair-unfashionable/">most helpful thing we can do</a> is to buy fewer new clothes and wear them for longer.</p> <p>Australians buy a lot of clothes, about <a href="https://www.cleanup.org.au/fastfashion">56 items per year</a> on average. That makes Australians the <a href="https://hotorcool.org/unfit-unfair-unfashionable/">second highest textiles consumers in the world</a> after <a href="https://www.cleanup.org.au/fastfashion">the USA</a> , and is <a href="https://www.greenpeace.org/static/planet4-international-stateless/2017/09/76e05528-fashion-at-the-crossroads.pdf">60% more than we bought even 15 years ago</a>. The <a href="https://www.eea.europa.eu/publications/textiles-in-europes-circular-economy">price of clothes has dropped significantly</a> over the past couple of decades, and the <a href="https://hotorcool.org/unfit-unfair-unfashionable/">number of clothes</a> people have in their closets has grown.</p> <p>If we begin to shift away from our slavish devotion to newness and novelty – following the dictates of fashion – to a mindset of value-led sufficiency, we can appreciate more fully the feel of lived-in, mended or altered clothes. There is a feeling of comfort in pulling on an old garment that is soft with age and repeated washing. There is <a href="https://www.google.com.au/books/edition/Loved_Clothes_Last/StfnDwAAQBAJ?hl=en&amp;gbpv=1&amp;dq=joy+of+creative+mending&amp;pg=PT7&amp;printsec=frontcover#v=onepage&amp;q=joy%20of%20creative%20mending&amp;f=false">joy in extending a garment’s life</a> through creative mending, especially when that aligns with our values.</p> <p>The Berlin-based <a href="https://hotorcool.org/unfit-unfair-unfashionable/">Hot or Cool Institute</a> suggests a wardrobe of 74 garments (including shoes but excluding undergarments) is typically sufficient for people who live in a two-season climate (in the tropics) and 85 pieces for those who live in a four-season climate, as most Australians do. If we buy ten to 12 new items a year, we can replace our entire wardrobe in about seven years.</p> <p>Buying second-hand instead of new is even better because it doesn’t add to current production emissions. If we buy second-hand, it still doesn’t mean we should buy more than we need.</p> <h2>Choosing clothes to fit our values</h2> <p>To live authentic lives that are fulfilling and satisfying in deep and meaningful ways, we need to be true to our selves. In the case of clothing, we should evaluate our choices in relation to the values we hold. And if we do care about living sustainably, that means changing those choices we feel are no longer suited to the climate crisis.</p> <p>Clothes need to reflect a person’s situation as well as their identity to <a href="https://research.usq.edu.au/item/q4x53/the-phenomenological-and-discursive-practice-of-place-in-lifestyle-migration-a-case-study-of-stanthorpe-queensland">“work” well</a>. This may mean that what we wear changes as we make different buying decisions, just as people did in the second world war and as tree-changers do. We may start to look different, but that change signifies our values in action.</p> <p>Best of all, clothing choices that align with keeping global warming to less than 1.5 degrees will have a long-term impact as significant as winning the war.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/214478/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/rachael-wallis-568028">Rachael Wallis</a>, Research Assistant, Youth Community Futures, <a href="https://theconversation.com/institutions/university-of-southern-queensland-1069">University of Southern Queensland</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/what-to-wear-for-a-climate-crisis-214478">original article</a>.</em></p>

Beauty & Style

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Melissa Leong axed just weeks ahead of filming

<p>In an unexpected turn of events, Channel Ten's beloved cooking show, <em>MasterChef Australia</em>, is set to undergo a significant makeover in 2024. The series, which has captured the hearts of food enthusiasts and reality TV aficionados alike, will introduce a new judging panel, leaving fans both excited and apprehensive.</p> <p>Melissa Leong, a fan favourite who joined the <em>MasterChef</em> family in 2019 alongside Andy Allen and Jock Zonfrillo, finds herself stepping away from the iconic show. Her arrival was part of a pivotal change in the program after the departure of original judges Matt Preston, Gary Mehigan, and George Calombaris due to a pay dispute. Sadly, the show faced another devastating loss with the <a href="https://www.oversixty.com.au/news/news/shattered-hearts-culinary-world-mourns-tragic-death-of-jock-zonfrillo" target="_blank" rel="noopener">sudden passing of Jock Zonfrillo</a> earlier this year, leaving a void that needed to be filled.</p> <p>According to sources reported by the <a href="https://www.afr.com/companies/media-and-marketing/masterchef-s-melissa-leong-axed-from-judging-lineup-20231023-p5ee9f" target="_blank" rel="noopener"><em>Australian Financial Review</em></a>, Leong was made aware of this transition only recently, just a month before the new season began filming. The Australian public, deeply attached to the familiar faces they've come to love on the show, was left wondering about the future of <em>MasterChef</em>.</p> <p><a href="https://www.dailytelegraph.com.au/entertainment/sydney-confidential/masterchef-shakeup-for-2024-new-sweet-gig-for-melissa-leong/news-story/4c3b7c3b77e942e09be516d631b5065a" target="_blank" rel="noopener">The Daily Telegraph</a> broke the news that the new judging panel would include former contestant Poh Ling Yeow, Michelin-starred chef Jean-Christophe Novelli, and food critic Sofia Levin. While these newcomers bring their own expertise and charm to the <em>MasterChef</em> stage, they must face the challenge of filling the shoes of their predecessors and winning over the show's passionate audience.</p> <p>Andy Allen, who has been a part of the <em>MasterChef</em> journey since 2012, made the surprising decision to return to the series after what he described as a "difficult year" in 2023. Speaking about his choice, Allen said, "There is something special in the <em>MasterChef Australia</em> Kitchen, and it feels right to come back to work with the amazing production team, and to play my role in seeing the contestants do as I have done." With the new line-up, 2024 promises to be the beginning of a fresh chapter in the show's history.</p> <p>Notably, there were rumours that celebrity chef <a href="https://www.oversixty.com.au/lifestyle/food-wine/jamie-oliver-tipped-to-replace-jock-zonfrillo-on-masterchef" target="_blank" rel="noopener">Jamie Oliver might join the show</a> as a replacement. However, it appears that the production team opted for a mix of <em>MasterChef</em> alumni and culinary expertise to usher in this new era.</p> <p>Leong's connection with Channel Ten remains strong, as she is set to host <em>Dessert Masters</em>, alongside the pastry prodigy Amaury Guichon, known as "The Chocolate Guy". This spinoff series promises to showcase the skills of Australia's top pastry chefs and dessert makers through sweet-themed challenges. Dessert enthusiasts can anticipate an exciting showdown between some of the country's finest dessert creators.</p> <p>A Network 10 spokesperson has clarified that the decision was not influenced by any ongoing investigation and that Leong will continue to be a cherished member of the <em>MasterChef Australia</em> family. The spokesperson stated, "Melissa is set to return for a second season of <em>Dessert Masters</em> in 2024, alongside fellow judge and pastry prodigy Amaury Guichon." The scheduling of both programs, with<em> MasterChef</em> and <em>Dessert Masters</em> airing back-to-back, called for each show to have its distinct style, personality and hosting team.</p> <p>As fans eagerly await the new season of <em>MasterChef Australia</em> in 2024, there is a mix of anticipation and nostalgia. The departure of a beloved judge and the introduction of fresh faces signal a new chapter in the show's legacy.</p> <p><em>Image: MasterChef Australia</em></p>

TV

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Princess Diana’s twin nieces' major announcement

<p dir="ltr">Lady Amelia and Lady Eliza Spencer have announced that Australia’s most prestigious race wear event, Fashions on the Field will go global for the first time ever. </p> <p dir="ltr">The competition will be open to international fashion-lovers as they will be accepting digital entries, with a new category allowing them to compete for the Best Dressed and Best Suited awards. </p> <p dir="ltr">The international winners will then be flown to Flemington during Cup Week to experience the glitz and glam of the races, and compete in person during the live final against Australian state and territory finalists on Thursday November 9. </p> <p dir="ltr">Princess Diana's twin nieces championed the prospects of international entries to the prestigious event and worked together with the Lexus Melbourne Cup trophy to make it a reality. </p> <p dir="ltr">"Racewear fashion really is its own fashion category and I know there will be some amazing international entries for the Melbourne Cup Carnival Fashions on the Field competition," Lady Eliza said.</p> <p dir="ltr">"It was great to discover some wonderful Australian labels at our Melbourne Cup Carnival Fashions on the Field shoot in London and I can't wait to see the style and creativity of entrants this year,"  Lady Amelia added. </p> <p dir="ltr">Victoria Race Club Chairman Neil Wilson also shared his excitement for opening up the event to internationals. </p> <p dir="ltr">"Fashion is a universally appreciated expression of people's individual style and we look forward to racing enthusiasts across the globe showcasing their unique take on race wear on track at Flemington or virtually, which will include the new international competition for the first time," he said. </p> <p dir="ltr"><em>Image: Victoria Racing Club</em></p>

Beauty & Style

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Home and Away star's glam post on daughter's big day

<p><em>Home and Away a</em>ctress Lynne McGranger could not hide her joy as she celebrated her daughter's wedding over the weekend. </p> <p>The beautiful ceremony marked the union of her daughter, 32-year-old Clancy McWaters, and her fitness coach beau, Luke Dickson.</p> <p>In a few gorgeous snaps of Clancy's big day posted on Instagram, Lynne can be seen tenderly assisting her daughter into her beautiful Rue De Seine wedding dress. </p> <p>The doting mum cherished the moment shared between the two with a heartfelt caption that read: "Getting my baby girl ready for her big day." </p> <p>“Thank you @dianelewiscouture for my gorgeous MOB outfit and @donnygalella for your styling genius.”</p> <p>The <em>Home and Away </em>star looked stunning in a magenta Daniel Lewis Couture pantsuit, which she complemented with a pearl necklace and bracelet. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CweO3hxJiTT/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CweO3hxJiTT/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Lynne McGranger (@lynnemcgranger)</a></p> </div> </blockquote> <p>A flood of heartwarming messages poured in from Lynne's friends and fans. </p> <p>"Gorgeous Lynne. Congratulations to your beautiful family,"  <em>The Morning Show</em> host Kylie Gillies praised. </p> <p>“What a special moment and such a beautiful photo of you and Clancy. Well done Mama and congratulations Clancy and Luke,” fellow soap star Emily Symons commented. </p> <p>Co-star Ada Nicodemou who plays Leah in <em>Home and Away</em>, wrote: “What a beautiful photo and a beautiful day.”</p> <p>Ada, also attended the wedding and shared a picture of her celebrating Clancy's big day as she posed alongside Lynne. </p> <p>In a follow up post, Lynne shared a few snaps with her partner and Clancy's dad Paul McWaters, and a few other friends who they celebrated the special day with. </p> <p>"What a perfect, magical day it was. Our beautiful daughter @clancy.movement married her love, our handsome son in law @_luked," she captioned the post. </p> <p>"Surrounded our family and Luke’s family and all our close friends we witnessed the gorgeous marriage of Luke and Clancy.</p> <p>"We laughed, we ate, we drank , we danced and we partied - all in celebration of the 2 gorgeous newlyweds," she added. </p> <p>She then thanked everyone who attended the wedding, adding that "our hearts are full". </p> <p> </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CwhWUqGyjwP/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CwhWUqGyjwP/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Lynne McGranger (@lynnemcgranger)</a></p> </div> </blockquote> <p>"So gorgeous! Congratulations to your beautiful daughter and of course, your lovely self Lynne! Love you so very much on Home &amp; Away, thank you for always giving me laugh!" commented one fan. </p> <p>"Congratulations. I wish them a long lifetime of good health &amp; happiness ❤️" wrote another. </p> <p>"Ah, these are beautiful, Lynne! So, so happy you all had such a lovely day x," commented a third. </p> <p><em>Images: Instagram</em></p>

Family & Pets

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Why we should embrace the joy of dressing ‘outside of the lines’ like Gen Z

<p><a href="https://theconversation.com/profiles/steven-wright-1416088">Steven Wright</a>, <em><a href="https://theconversation.com/institutions/university-of-south-wales-1586">University of South Wales</a></em> and <a href="https://theconversation.com/profiles/gwyneth-moore-1416089">Gwyneth Moore</a>, <em><a href="https://theconversation.com/institutions/university-of-south-wales-1586">University of South Wales</a></em></p> <p>Have you seen that <a href="https://www.voguescandinavia.com/articles/this-is-how-to-style-the-new-cargo-pant-according-to-these-danish-influencers">cargo pants are back</a>? Young people are once again swishing down hallways and they might even be wearing <a href="https://www.vogue.co.uk/fashion/article/crocs-lyst-hottest-product">Crocs</a> on their feet, because these are cool now too. For many this could be seen as dressing “badly” but Y2K (2000s fashion) is all the rage at the moment.</p> <p>Fashion has long been one of the most creative playgrounds to express yourself and also define your personal identity and status. Gen Z take this very seriously. However, they are no mere followers of fashion but are adventurously carving out their own trends and styles – joyfully playing with the way they dress and express themselves through their clothes.</p> <p>Gen Z are rejecting everything from outdated gender tropes <a href="https://www.businessoffashion.com/articles/beauty/why-gen-z-yellow-will-never-be-millennial-pink/">to curated colour schemes</a> and <a href="https://www.vox.com/22697168/body-positivity-image-millennials-gen-z-weight">the idea of the “perfect” body</a>.</p> <p>For several hundred years, it was the fashion industry who controlled what was on trend. It was <a href="https://www.jstor.org/stable/42978704">in bed with</a> the media, style icons, designers and the tycoons of the industry. This relationship has enabled trends to be predicted and for aesthetic movements to be planned and consumers to be catered for. The masses watched and waited to be told what was new and “hot”.</p> <p>This relationship is now being short-circuited by a <a href="https://www.tandfonline.com/doi/full/10.1080/17569370.2022.2149837">generation of digital natives</a> who live in a world where the distinction between the digital and the physical is blended.</p> <p>Gen Z will not be dictated to, they are not anxiously waiting to be told they are on trend, on social media they are making heir own trends by breaking rules, embracing creativity and finding joy in dressing bravely.</p> <h2>The democratisation of fashion</h2> <p>Each generation has changed fashion. The baby boomers brought us flower power in the 1960s and 1970s using free love in contrast to their parents’ <a href="https://www.jstor.org/stable/30036343?searchText=free+love+counter+culture+fashion&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dfree%2Blove%2Bcounter%2Bculture%2Bfashion&amp;ab_segments=0%2FSYC-6744_basic_search%2Ftest-1&amp;refreqid=fastly-default%3A1b4986acdbd4197e33c408f8641061a6">clearly defined social and gender roles</a>.</p> <p>Boomers’ younger siblings brought us “punk” in the 1970s and 1980s, a subculture dedicated to using the symbols of the state against itself and deliberately playing with the obscene and vulgar. This was amid a global political climate of conservatism and repression.</p> <p>Then <a href="https://www.jstor.org/stable/742606?searchText=baby+boomer+fashion+flower+power&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dbaby%2Bboomer%2Bfashion%2Bflower%2Bpower&amp;ab_segments=0%2FSYC-6744_basic_search%2Ftest-1&amp;refreqid=fastly-default%3Af122f7705806e1673dfa550b2fc44c16">again in the 1990s</a> we saw grunge, Gen X’s response to a futureless world post-cold war.</p> <p>Well, Gen X have had children and those kids have decided that they find joy in dressing outside of the lines (so to speak), you can be anything, you can be everything and you can be nothing.</p> <figure><iframe src="https://www.youtube.com/embed/9GUkkenYvlY?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>Gen Z (and even millenials) have witnessed the ever-increasing democratisation of fashion through social media sharing and the global reach of online platforms. They have seen thousands of tiny subcultures formed online where they undergo a near constant cycle of evolution, explosion and reformation.</p> <p>Take the early <a href="https://www.instyle.com/fashion/clothing/emo-style">2000s “emo” trend</a>. Once a big subculture, it was thrust to the corners of the internet where everyone thought it would languish and die.</p> <p>However, emo is experiencing a revival with people wearing all black, corsets becoming cool again and heavy eye makeup being sported by the likes of Gen Z darlings <a href="https://www.buzzfeed.com/mariasherm2/willow-smith-bullied-my-chemical-romance-paramore-emo">Willow Smith</a> and <a href="https://www.theatlantic.com/culture/archive/2021/12/juice-wrld-olivia-rodrigo-kid-laroi-emo-music/621069/">Olivia Rodrigo</a>.</p> <p>But Gen Z are not sticking to one style. Fashion has become a pick and mix of trends and ideas where an individual can use the ingredients to create and recreate identity as often as they desire. There is joy in dressing, not fear. There are no rules.</p> <h2>No rules</h2> <p>As new fashion consumers gleefully reinvent notions of good taste and beauty, the traditional trickle-down effect for trends has been replaced by a bubbling up from new sources defining what’s new and what’s next. From Instagrammers to icons, vloggers and TikTokkers, the <a href="https://www.emerald.com/insight/content/doi/10.1108/JFMM-12-2020-0275/full/html">sources for trends are broad and varied</a>.</p> <p><iframe style="border: none;" src="https://www.tiktok.com/embed/7127790531932949766" width="100%" height="400" frameborder="0" scrolling="no"></iframe></p> <p>Young people are creating <a href="https://journals.sagepub.com/doi/abs/10.1177/14614448221146174">their own place in a new world</a>. A world where crocs are high fashion and what “goes” is in the eye of the beholder. Boxers as a headdress or leggings as scarf? sure. Why not even wear a <a href="https://www.highsnobiety.com/p/jw-anderson-ss23-womens-runway-collection/">keyboard</a> as a top? <a href="https://www.tiktok.com/@saracampz/video/7127790531932949766">Maximalism</a> is being taken to new extremes as clothes are layered over more clothes and no colour, object or pattern is out of bounds.</p> <p>These are the COVID kids, a generation that came of age during a global calamity where the only form of communication was digital and two-dimensional.</p> <p>The loudest and boldest and most insane outfit is the one that will get you most attention on screen. For kids used to consuming media through TikToks rather than glossy editorials, <a href="https://myjms.mohe.gov.my/index.php/ijbtm/article/view/20001">only the most dramatic, fun and playful will do</a>. Fashion has taken itself way too seriously for way too long. A cleansing fire of young, creative people is exactly what is needed right now. We should all take a page out their book and find joy in dressing in whatever we want.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/199940/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/steven-wright-1416088">Steven Wright</a>, Head of Subject - Fashion Marketing and Photography, <a href="https://theconversation.com/institutions/university-of-south-wales-1586">University of South Wales</a> and <a href="https://theconversation.com/profiles/gwyneth-moore-1416089">Gwyneth Moore</a>, Course coordinator - BA (Hons) Fashion Business &amp; Marketing &amp; BA (Hons) Fashion Design, <a href="https://theconversation.com/institutions/university-of-south-wales-1586">University of South Wales</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/why-we-should-embrace-the-joy-of-dressing-outside-of-the-lines-like-gen-z-199940">original article</a>.</em></p>

Beauty & Style

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The Block contestants accused of cheating one week in

<p>Barely a week into the newest season of The Block and Sydney-based contestants Steph and Gian have been accused of breaking the rules. </p> <p>The couple had a difficult start to the competition after their builder consistently made costly mistakes. With one builder down and the time running out, Steph’s father Nick - a qualified builder - turned up at the site for a visit. </p> <p>Nick, who had travelled from interstate to visit them, was filmed helping the couple build their bathroom well into the late hours of the night. </p> <p>“It’s like the gods were aligned this week for my dad to be in town,” Steph said in the show.</p> <p>“This was a really hard week, and having someone that you trust there, that’s qualified also... he was just the perfect person.”</p> <p>This didn't sit well with Brisbane couple Leah and Ash, who had a few questions about Nick's involvement, including whether he received a site induction the night before. and if he would get paid for his work. </p> <p>If the answer was "no", then Steph and Gian would've broken the rules. </p> <p>Fellow contestant Kristy added fuel to the fire and <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">noted that Nick was still working on-site after midnight - when even Steph had called it a night. </span></p> <p>“What set me off was the commentary, ‘Steph has had a big day so we’ve popped her to bed,’” she said. </p> <p>Turns out the other contestants had nothing to worry about, with Steph and Gian placing dead last in the bathroom judging with a score of 20.5 out of 30. </p> <p>The judges called out the “rustic” wooden beams in their bathroom ceiling which they said looked messy and needed to go. </p> <p><em>Image: The Block</em></p>

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